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Juggy Sound, New York Studio Recording Jimi and engineer Eddie Kramer begin sifting through the multi-track recordings made of the Band Of Gypsys live performances at the Fillmore East.
Juggy Sound, New York Studio Recording Mixing sessions for what would become Band Of Gypsys continue at Juggy Sound, the midtown Manhattan recording facility owned by Sue Records chief Juggy Murray.
Juggy Sound, New York Studio Recording Record Plant, New York Studio Recording Send My Love To Linda Power Of Soul Burning Desire Jimi began the evening with Eddie Kramer at Juggy Sound. The two continued in their effort to craft a live album from the four Fillmore East performances. In the early morning hours following the mixing session, Hendrix traveled to the Record Plant to join forces with Cox and Miles for a series of promising demo recordings. Jimi efforts yielded a rough sketch of “Send My Love To Linda” which progressed into a lively, extended jam. Additionally, twelve takes of “Paper Airplanes” (which would evolve as “Power Of Soul”) and five takes of “Burning Desire” were also put to tape.
Juggy Sound, New York Studio Recording Once more, Jimi began the evening with Eddie Kramer mixing potential candidates for the Band Of Gypsys live album at Juggy Sound. Neither Cox nor Miles played any role in the mixing or track decisions for the album. As Hendrix was the producer, such decisions were reserved entirely for him. Record Plant, New York Studio Recording Burning Desire Backwards Experiment At the Record Plant with Cox and Miles, Hendrix devoted time on this evening to experimenting with different backward guitar effects. This session also saw additional work on “Burning Desire” but with little noticeable progress toward the completion of a basic track.
Juggy Sound, New York Studio Recording In the early morning hours of February 5, Jimi returned to Juggy Sound as mixing sessions for Band Of Gypsys continued. By this stage, final mixes for “Who Knows” and “Machine Gun” had been crafted and set aside. Hendrix had completed the album’s first side and now focused his energies on completing side two. Among the songs mixed by Hendrix and Kramer but not selected for the album were “Stone Free” [1/1/70 2nd Show] and “Hear My Train A Comin’” [12/31/69 1st Show]
Juggy Sound, New York Studio Recording Record Plant, New York Studio Recording On this evening, Hendrix traveled to the Record Plant after mixing sessions at Juggy Sound had concluded. Upon his arrival, an informal jam session with Buddy Miles ensued. Two instrumental attempts at “Blue Suede Shoes” were put to tape. Later, Hendrix put forward an early version of what would become to “Hey Baby (New Rising Sun).” Singing live and supported only by drums and percussion, Hendrix wove gorgeous touches of Spanish flamenco styling within the arrangement. An impish stab at Eddie Cochran’s “Summertime Blues”—a favorite of the guitarist’s when he was a teenager in Seattle—was followed by a funky original work reminiscent of “Day Tripper.” Soon thereafter Billy Cox and Mitch Mitchell arrived. Buddy Miles departed and work began on “Freedom”. This recording, issued on The Jimi Hendrix Experience box set, is dramatically different than the version now included as part of First Rays Of The New Rising Sun. Most notably, Jimi devised an inventive, extended introduction and, in contrast to his efforts the previous summer with Gypsys Sun & Rainbows, skillfully integrated the percussion effort of Juma Sultan.