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Jimi Hendrix Encyclopedia

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1966 1967 1968 1969 1970
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January 10, 1968

Hendrix checks in at Gothenburg police headquarters. He must report there every day until January 15.

Gothenburg Hendrix Personal police

February 13, 1968

Hendrix plans to play at Garfield High School, but his equipment wasn’t available so he instead gives a short speech and answers a few questions. Afterwards, Jimi receives a ceremonial key to the City of Seattle.

1968 Band ceremonial key equipment wasnt available February 13 Garfield High School Hendrix jimi gives speech key to the City qna question and answer session seattle key to the city

April 07, 1968

Hendrix jams with Roy Buchanan at the Generation Club (52 West 8th Street) in New York. Although not performing with Hendrix, other bands performing tonight include Buddy Guy and Janis Joplin and Big Brother. Monterey Pop filmmaker, D.A. Pennebaker filmed the jam sessions and later released the short documentary, Wake At Generation which includes one of the jam numbers by Hendrix.

Big Brother Generation Club Hendrix Janis Joplin Live Monterey Pop new york Roy Buchanan

April 09, 1968

Hendrix jams at The Generation with Elvin Bishop (guitar), Buzzy Feiton (bass), Phillip Wilson (drums), Don Martin (guitar), Al Kooper (organ), and Paul Butterfield (harmonica).

Al Kooper Buzzy Feiton Don Martin Elvin Bishop Hendrix Live Paul Butterfield Phillip Wilson The Generation

April 13, 1968

Peter Goodman of Beat Instrumental conducts a phone interview with Hendrix. The interview is published in May.

Beat Instrumental Hendrix interview Interviews Peter Goodman

April 15, 1968

Derek Boltwood interviews Hendrix for Record Mirror. The story is published the following month.

Derek Boltwood Hendrix interview Interviews Record Mirror

May 02, 1968

Recording for “Three Little Bears” would take place at the Record Plant, where Steve Winwood, Jack Casady and a host of others visited the group. Although Hendrix originally coined the title, “Cherokee Mist” for the session, he later settled on “Three Little Bears” as its final working title. Throughout the session, Jimi developed a jazzy rhythm pattern that would eventually become “South Saturn Delta.” As the session progressed, Hendrix and bassist, Noel Redding get into a heated argument about the number of people in the studio. In his autobiography, Are You Experienced? Redding says, “There were tons of people in the studio – you couldn’t even move. It was a party not a session. He just said, ‘Relax man…’ I’d been relaxing for months, so I relaxed my way right out the place, not caring if I ever saw him again.” Taking a break from the session Hendrix leads an entourage to their local hangout at the Scene Club for some fun. Afterwards, Hendrix, Mitch Mitchell, Eddie Kramer, Winwood, Casady, Larry Coryell and others, return to the Record Plant to jam. These jams would become the foundation of “Voodoo Chile.” A number of recordings with Winwood and Casady participating were laid to tape on this night, with 3 of the takes being fused together as “Voodoo Chile Blues,” which was released on MCA’s 1994 release – :Blues.

Casady eddie kramer Hendrix Jack Casady Larry Coryell Mitch Mitchell Noel Redding Record Plant Recording Steve Winwood Three Little Bears Winwood

June 07, 1968

Hendrix, Mitchell and Redding travel from London to New York City.

Hendrix Mitchell Personal Redding

September 09, 1968

Hendrix, Mitch Mitchell and Noel Redding travel to Portland, Oregon for an evening performance at Memorial Coliseum with support from Vanilla Fudge, Eire Apparent, and Soft Machine. The Experience’s set includes “Are You Experienced?” “Fire,” “Hey Joe,” “Foxey Lady,” “Voodoo Child (Slight Return),” “Little Wing,” “Spanish Castle Magic,” “Red House,” and “Purple Haze.” Jimi Hendrix is photographed in concert at the Memorial Coliseum in Portland, Oregon on September 9, 1968. Photo: Alan Hicks / © Authentic Hendrix, LLC

Eire Apparent Hendrix Live Memorial Coliseum Mitch Mitchell Noel Redding Oregon Portland Soft Machine Vanilla Fudge

October 04, 1968

Mitchell and Redding travel to Honolulu where they meet up with Hendrix.

Hendrix Honolulu Mitchell Personal Redding

December 24, 1968

Hendrix reportedly attends a poetry reading at St. Mark’s Church in New York.

Hendrix new york Personal poetry St. Mark’s Church

April 16, 1969

The Scene, New York Jam Session According to Noel Redding, Hendrix and Mitchell joined him for an evening of jamming at the Scene nightclub, a favorite spot of the group.

Band Hendrix jam session Mitchell new york Noel Redding The Scene

May 16, 1969

Record Plant, New York Studio Recording 1) “Stone Free” Instrumental takes with Billy, Jimi & Mitch In the early morning hours, Hendrix, Mitchell, and Cox recorded a number at attempts of a remake of “Stone Free”. No final masters were achieved however. Baltimore Civic Center, Baltimore, Maryland With Buddy Miles Express, Cat Mother & The All Night Newsboys Set List: Lover Man Hear My Train A Comin’ Fire Red House I Don’t Live Today Foxey Lady Spanish Castle Magic Purple Haze Sunshine Of Your Love Voodoo Child (Slight Return) The Experience travel to Baltimore, Maryland where they perform at the Civic Center.

Cox Hendrix Mitchell Recording Stone Free

June 17, 1970

Returning once again to Electric Lady, Hendrix enthusiastically kicked off the session right where the prior night’s left off. In visiting “Straight Ahead” Hendrix, Billy Cox, and Mitch Mitchell concentrated on forming a new master take of the song. The trio then moves to recordings for “Astro Man.” Feeling playful, Jimi brings the session to a quick halt before yelling for tape machine to start recording. Assured that the tapes are rolling Jimi breaks into a high octave vocal take of “Drifter’s Escape.”

billy cox Electric Lady Hendrix Mitch Mitchell Recording Straight Ahead

July 30, 1970

After flying to the Island of Maui for a special filmed project by Manager, Michael Jeffrey, Hendrix, Cox, and Mitchell perform for an invitiation-only crowd of 500 people for the Rainbow Bridge Vibratory Color Sound Experiment on the Haleakala Crater on the Island of Maui. Portions of the performance are included on the posthumously released motion picture Rainbow Bridge. Although the entire performance has yet to be officially released, Hendrix’s two sets atop the Haleakala Creater included: (First set) “Spanish Castle Magic,” “Lover Man,” “Hey Baby (New Rising Sun),” “In From The Storm,” “Message To Love,” “Foxey Lady,” “Hear My Train A Comin’,” “Voodoo Child (Slight Return),” “Fire,” and “Purple Haze.” (Second set) “Dolly Dagger,” “Instrumental,” “Ezy Rider,” “Red House,” “Freedom,” “Beginnings,” “Straight Ahead,” “Hey Baby (New Rising Sun),” “Stone Free,” and “Hey Joe.” Jimi Hendrix is photographed during The Experience’s July 30, 1970 performance atop the Haleakala Crater on the Island of Maui in Hawaii. This show is the main subject of the film ‘Rainbow Bridge.’ Photo: Daniel Tehaney / © Authentic Hendrix, LLC

Cox Hendrix Live Michael Jeffrey Mitchell

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