The band is photographed for Top Pop magazine. Under the direction of Paul McCartney, Hendrix records tracks for the self-titled, McGough and McGear (EMI Parlophone, PCS 7047, 1968) album at DeLane Lea Studios.
Hendrix and Mitchell record 41 takes of “Gypsys Eyes” at The Record Plant. Later that night Redding prepares a rough mix of “Little Miss Strange” and also additional rhythm parts onto the April 20th master tape of “Little Miss Strange.”
Back at The Record Plant, this emotionally trying session for the group resulted in several takes of “Gypsy Eyes” for which little progress was seen.
Redding’s four-hour sessions at The Record Plant resulted in the addition of additional acoustic guitars to “Little Miss Strange.”
In addition to the final recordings for Redding’s “Little Miss Strange,” five recordings of “1983… (A Merman I Should Turn To Be)” were laid to tape. Overdubs a rough mixes were also developed for “Three Little Bears” and “Gypsy Eyes.”
For three days, the band rehearses and records “Little Miss Strange” at The Record Plant. The track is first recorded under the title, “Lilacs For Captain Curry’s Coffin” (or “Little Miss Strange Test Session”). On the second day of recordings, the song takes it’s final naming incarnation, “Little Miss Strange.”
The Experience record “Long Hot Summer Night” at The Record Plant (321 West 44th Street) in New York. Al Kooper later overdubs piano on the track. It was during this session that Hendrix gave Kooper his Stratocaster, (See Issue #5, page 6, ‘None Take Hendrix Strat’ for details on recent Auction featuring this guitar).
At New York’s Drake Hotel (East 56th Street), Hendrix records 36-minutes of demos in his room, including: “Long Hot Summer Night,” “1983…(A Merman I Should Turn To Be),” “Moon Turn The Tides … Gently, Gently Away,” “Angel,” “Cherokee Mist,” “Hear My Train A Comin’,” “Voodoo Chile,” and “Gypsy Eyes.”
Jimi Hendrix records a series of songs at Sound Center Studios (247 West 46th Street) in New York City. Recordings on this date include “My Friend” which features Ken Pine (12-string), Paul Caruso (harmonica), Jimmy Mayes (drums) and Stephen Stills (piano) accompanying Hendrix playing a bass guitar.