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May 13, 1969 A long evening dedicated solely to jamming.

Record Plant, New York Studio Recording 1) Keep On Groovin’ 2) Jam Session 3) Solo Demos A long evening dedicated solely to jamming. Jimi was joined by bassist Billy Cox, organist Sharon Layne, an unnamed percussionist, and a second guitarist known only as Sean.

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January 1, 1970 Dawn had arisen over Manhattan by the time the group finally left the venue in the early morning hours of January 1.

Fillmore East, New York Two Shows Dawn had arisen over Manhattan by the time the group finally left the venue in the early morning hours of January 1. Incredibly, they returned later on this evening to perform two additional concerts. With the hoopla of the New Year’s Eve festivities behind him, Hendrix centered his attention on realizing a live album from the remaining two performances.

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January 21, 1970 Hendrix joined Cox, and Miles at the Record Plant for an extended session

Juggy Sound, New York Studio Recording As had been the case since mixing sessions began on January 14, Hendrix and Kramer huddled at Juggy Sound to continue their work on Band Of Gypsys. Record Plant, New York Studio Recording Message To Love Stepping Stone Earth Blues Ezy Ryder Following his work at Juggy, Hendrix joined Cox, and Miles at the Record Plant for an extended session that began with fourteen takes of “Power Of Soul” (still referred under the working title of “Crash Landing”) put to tape, and although takes 2, 4, and 6 were complete, no master track was flagged.

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March 24, 1970 Hendrix began this session joined by an unidentified drummer [likely Steve Angel] and together the two players recorded a quick rendition of “Bleeding Heart”.

Hendrix began this session joined by an unidentified drummer [likely Steve Angel] and together the two players recorded a quick rendition of “Bleeding Heart”. This was followed by three takes of “Midnight Lightning.” Bassist Billy Cox joined the session and s the tandem ran through four takes of “Bleeding Heart,” the later of which was flagged as the master and later transferred to Jimi’s own Electric Lady Studios where additional guitar and a new drum part were overdubbed by Jimi and Mitch Mitchell.

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