Jimi Hendrix (playing bass guitar) reportedly jams with Ben E. King and Georgie Fame at The Speakeasy in London.
Following their evening performance at Gaumont Cinema, Jimi Hendrix jams with The Californians at The Kingfisher Club in Wall Heath.
The March 22 edition of Billboard magazine’s “International News Reports” headlines Hendrix Wins Paris Fest’s Pop Prize. The headline refers to Hendrix Billboard’s 1968 Artist of the Year as the recipient of the Popular Music Prize in the 1969 Academie Charles Cros Awards at the Festival du Son held at the Palais d’Orsay in Paris, France.
On this day, Hendrix signed a contract for $12,500 to perform at the Fillmore East in New York. Most importantly, the Fillmore East would serve as the venue for the recording of a live album by the guitarist. In recent weeks, Hendrix had determined that the most expedient way to resolve his obligation to Capitol Records per the 1968 PPX legal settlement would be to deliver a live album to the label.
Madison Square Garden, N.Y. As spirited as the Fillmore concerts may have been, the resurrection of the Jimi Hendrix Experience became the immediate priority of Jimi’s management. This became increasingly so in the aftermath of a failed January 28, 1970 Band Of Gypsys gig at Madison Square Garden.
Throughout this month, both Mitch Mitchell and Billy Cox joined Hendrix at his 59 West 12th Street apartment in Greenwich Village for exploratory jam sessions. Hendrix made a number of home recordings during this period. Hendrix alternated between acoustic and electric guitar as he routined such fare as “Stepping Stone,” “Send My Love To Linda”, “Last Thursday Morning,” “Freedom,” “Bolero”, and the fleeting, twelve-string “Acoustic Demo” featured as part of the Dagger Records release Morning Symphony Ideas.
