Today’s session proved one of the most fulfilling for Jimi at his new studio. Here, recordings focused on “Dolly Dagger,” “Bolero,” “Hey Baby (New Rising Sun),” “Drifting,” and “Slow Part,” which would posthumously be retitled “Pali Gap” by Michael Jeffrey who wanted to craft a stronger tie with that song and the title of his Hawaiian film, Rainbow Bridge. The session later included work on “Midnight Lightning” and “Beginnings” before returning to “Dolly Dagger” before night’s end.

Another day of recordings at Electric Lady resulted in considerable progress on “Ezy Rider.”

In returning to Electric Lady Studios Jimi records “Come Down Hard On Me,” “Bolero,” and “Midnight Lightning.” Despite the work accomplished on this night, Hendrix had the tape boxes marked DO NOT USE.

Additional sessions at Electric Lady saw Hendrix revitalize previous work on “Come Down Hard On Me.” In 1973 Electric Lady’s engineer John Jansen posthumously edited the track for inclusion on Loose Ends.

Back at Electric Lady Studios, Jimi once again worked on “Night Bird Flying,” “Straight Ahead,” “Astro Man,” Freedom,” and “Dolly Dagger.”