Island Studios, London
Studio Recording

Jimi was recruited by Stephen Stills to lend guitar to his upcoming debut solo release, Stephen Stills (Atlantic Records, 1970). Jimi added lead guitar to the track “Old Times, Good Times” and also recorded some additional tracks with Stills that remain unreleased.

Olympic Studios, London
Studio Recording

Hendrix returned to Olympic Studios, the recording facility where his first two albums Are You Experienced and Axis: Bold As Love were recorded to record with Love. Invited by Love founder Arthur Lee to contribute to their album, Hendrix and percussionist Remi Kabaka joined Love in recording “The Everlasting First,” which would later be issued as part of False Start (Blue Thumb, 1970). In addition, Hendrix took part in an extended instrumental jam session as well as a version of his own composition, “Ezy Ryder.”

Now a solo artist, Noel Redding begins recording the album Nervous Breakdown at New York’s Sound Center Studios. Redding was joined by vocalist Roger Chapman (Family), Paul Caruso, organist Gerry Guida (Big Three) and fifteen year old drummer Steve Angel. The sessions included recordings of “Walking Through The Garden,” (previously recorded by Fat Mattress) and Eddie Cochrane’s “Nervous Breakdown.” Also recorded were “Everything’s Blue,” “Highway,” “Eric The Red,” “Wearing Yellow,” and “Blues In ¾.” Ever industrious, Redding copped support from many friends who joined the bassist in the studio including Lee Michaels, Neil Landon and even the doorman from the Penn Garden Hotel (on bagpipes no less).

Hendrix joined his former bassist to add guitar to Redding’s own “My Friend.” The song remains unreleased however, as despite his best efforts, Redding’s self-financed project never saw commercial release.

Working alone, Jimi arrived at the Record Plant intent on realizing a more traditional Delta blues arrangement of “Midnight Lightning” than he had previously attempted. Singing and playing live as he sat on a chair, Jimi utilized a finger picking style he rarely incorporated on his recordings. The song’s slow beat was accented, in the tradition of such blues men as Lightnin’ Hopkins and John Lee Hooker, by the steady tapping of his foot on the floor.

One of his favorite blues themes, Jimi would later make several attempts to complete a group version with Cox and Mitchell that summer at Electric Lady. Sadly, his untimely death in September 1970 came before “Midnight Lightning” and many other scintillating works in progress could be completed.