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Jimi Hendrix Encyclopedia

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Live

January 01st, 1970

Having just successfully completed two sold out performances at the Fillmore East, the previous night, the Band of Gypsys New Year's Day performances were solidifying them as one of the most recognizable sounds in modern music. Just as with the two shows the preceding night Wally Heider and Eddie Kramer also recorded this performance. The results of which have been released as Band Of Gypsys (Experience Hendrix/Capitol Records, 93446-2) and Hendrix: Live At The Fillmore East (Experience Hendrix/MCA, MCAD2-1111931).

As the Band Of Gypsys hit the stage the crowd explodes into applause as the three neighborly musicians break into a barrage of musical attacks, bouncing melodic beats of musical affection off each other. The mesmerizing opening statements of the newly formed Band of Gypsys implanted a new brand of funky rock-inspired blues in the audience's head.

"His playing is so loud, so fluid and so rife with electronic distortions that it resembles that of no other currently popular performer," reported Mike Jahn for The New York Times (January 2, 1970). Lead guitarist Jimi Hendrix was once again joined on stage by bassist, Billy Cox and drummer, Buddy Miles for their new collaboration of roaming and experimental sounds.

The Band Of Gypsys first set featured performances of "Who Knows," "Machine Gun," "Changes," "Power Of Soul," "Stepping Stone," "Foxey Lady," "Stop," "Hear My Train A Comin'," "Earth Blues," and "Burning Desire."

As Rolling Stones' Loraine Alterman reported, "at the first show on New Year's Day, the audience really let loose with cheers only on the old "Foxey Lady." In all fairness, however, his second show reportedly went over much better especially when he and Miles sand a pleas for unity about how we've all got to live together, a song did together in a jam at the Newport '69 festival in Los Angeles.

"In the end, though, Hendrix is a musician, not a contortionist or juggler. If the fans can forget the visual show and if Hendrix can come up with a new approach to material for a Band Of Gypsys, he'll remain a heavy on the scene."

After a brief intermission the Band Of Gypsys returned for a second set highlighted with "Stone Free," "Little Drummer Boy," "Power Of Soul," "Changes," "Message To Love," "Earth Blues," "Machine Gun," "Voodoo Child (Slight Return)," "We Gotta Live Together," "Wild Thing," "Hey Joe," and "Purple Haze."

Alfred Aronowitz of The New York Post interviews Hendrix for a piece in the January 2, 1970 edition. Inside Aronowitz explains Hendrix's musical change saying, "Jimi had chosen the New Year, and as he put it, the new decade to unveil his new trio... What's the reason for the change? 'Earth, man, earth,' Jimi said. With his old group, The Jimi Hendrix Experience, the music has been too far out in space. 'Now I want to bring it down to earth,' Jimi said. 'I want to get back to the blues, because that's what I am.' The new group has a new repertoire, but during his first set last night, Jimi was still waving his freak flag.

"There had been plans for Jimi to go back on tour with The Experience accompanied once again by Mitch Mitchell on drums and Noel Redding on bass, but after the show Jimi had changed his mind. 'With Mitch, maybe, but not with Noel, for sure.' He said. 'That's another thing. This is more of a real thing. We're trying to get it on its feet. We're waiting for Stevie Winwood. If I can get ahold of him and he agrees to it, that'll be another voice. We'll have harmony for days.' The name of Jimi's new group, incidentally, is A Band Of Gypsys. 'That's what we are,' said Buddy. 'That's what all musicians are, Gypsies.'"

Recording

January 14th, 1970

Juggy Sound, New York
Studio Recording

Jimi and engineer Eddie Kramer begin sifting through the multi-track recordings made of the Band Of Gypsys live performances at the Fillmore East.

Recording

January 19th, 1970

Juggy Sound, New York
Studio Recording

Once more, Jimi began the evening with Eddie Kramer mixing potential candidates for the Band Of Gypsys live album at Juggy Sound. Neither Cox nor Miles played any role in the mixing or track decisions for the album. As Hendrix was the producer, such decisions were reserved entirely for him.

Record Plant, New York
Studio Recording

Burning Desire
Backwards Experiment

At the Record Plant with Cox and Miles, Hendrix devoted time on this evening to experimenting with different backward guitar effects. This session also saw additional work on “Burning Desire” but with little noticeable progress toward the completion of a basic track.