Jimi Hendrix Encyclopedia
Did you see Jimi Hendrix in concert? Did you meet Jimi Hendrix or have the opportunity to interview him or have some other unique, first-person encounter with Jimi Hendrix? If so, Experience Hendrix wants to hear from you.
Popular Tagsthe experience Record Plant Long Hot Summer Night Gypsy Eyes Gary Kellgren Linda McCartney film Peter Neal National Film Theater British festival National Film Theatre Soft Machine Eire Apparent Jimi Hendrix Electric Ladyland eddie kramer Jimi Mitch Noel Experience
August 07th, 1968
A mid-day session at the Record Plant yields some additional mixes of “Long Hot Summer Night,” none of which are tagged as a final version.
Linda McCartney photographs the Experience in New York’s Central Park. Several small children are gathered and hang-out with Jimi, Mitch, and Noel on the Alice In Wonderland statue in the heart of Park. Hendrix later chooses these photographs for the cover of the forthcoming Electric Ladyland double-LP.
August 19th, 1968
The new Jimi Hendrix film, “Experience” (aka “See My Music Talking”) by Peter Neal is shown at London’s National Film Theatre as part of a British festival of short films. The film includes a 12-string guitar solo of Hendrix performing “Hear My Train A Comin’.”
August 20th, 1968
A second showing of “Experience” is made at 6:15 p.m. at London’s National Film Theatre.
Supported by Soft Machine and Eire Apparent, the Experience perform two shows at the Mosque in Richmond, Virginia. Among the song performed were “I Don’t Live Today” and “Red House.”
Jan Bridge interviews Jimi Hendrix for the Richmond Times-Dispatch.
August 27th, 1968
The Experience return to the Record Plant to put the finishing touches on their forthcoming release, Electric Ladyland. Work on “Gypsy Eyes” on this night focused on the flanging effects, which had studio engineers Eddie Kramer and Gary Kellgren physically putting pressure on the flange reel of the tape deck during recording.
While Hendrix and Kramer labored over the master tape for Electric Ladyland, Kallgren, Mitchell and Redding recorded twelve-takes of Redding’s own composition, “How Can I Live,” which later appeared on the debut release for Redding’s new band, Fat Mattress.
With only one more track required to complete the album, the group turned to Earl King’s “Come On (Part One)” to fill the final track. After fourteen takes, the final take was selected as the basic track for the album. Electric Ladyland was now complete.