Jimi Hendrix Encyclopedia
Popular TagsRecord Plant Jimi Hendrix The Jimi Hendrix Experience Long Hot Summer Night Gary Kellgren interview Melody Maker eddie kramer municipal auditorium Michael Jeffrey Gypsy Eyes House Burning Down Voodoo Chile Majorca Spain Neil Landon Graham Bond Dolly Collins Pentangle Geno Washington
July 01st, 1968
Jimi Hendrix jams with Graham Bond at the Record Plant in New York City. Hendrix records the jam, however due to extensive technical difficulties the poor quality of the surviving recordings has rendered the tape useless.
July 06th, 1968
Melody Maker headlines the article, “Hendrix Tour Of Germany Postponed” as a result of the success the group continues to have back in America. The article goes on to state that ‘Jimi has had a massive offer to appear on further dates in September during his new American tour which starts in Dallas on July 31. Included in the US itinerary is a concert at Hollywood’s famed Bowl. Jimi is able to command $10,000 a day (over £3,000) and 60 per cent of the gate money on his American shows, which often bring him in as much as £10,000 for each date. He has only just completed an America tour, and the date at Woburn Abbey on Saturday evening is likely to be his only British appearance this year.’
The Jimi Hendrix Experience is the featured artist at Melody Maker’s Woburn Music Festival at Woburn Abbey in Bedfordshire. Supporting acts include Shirley and Dolly Collins, Pentangle, Geno Washington and the Ram Jam Band, T.Rex, The Family, New Formula and Little Women. The Experience’s set consists of “Foxy Lady,” “Stone Free,” “Purple Haze” and “Wild Thing” among others.
July 07th, 1968
At the Record Plant, Eddie Kramer experiments with the crossfades that will link the first three songs, “Have You Ever Been (To Electric Ladyland),” “Crosstown Traffic,” and “Voodoo Chile” together for the Electric Ladyland album.
July 08th, 1968
Melody Maker’s Alan Walsh interviews Jimi Hendrix at his manager’s (Anim), Gerrard Street office for a July 20th feature. In the interview, Hendrix makes references to the hectic recording schedule of the past, saying, “I felt we were becoming the American version of Dave Dee – nothing wrong with that, but its just not our scene. We decided we had to end that scene and get into our own thing. I was tired after of the attitude of fans they’ve bought you a house and a car and now expect you to work the way they want you to for the rest of your life. Buy we couldn’t just say, screw them, because they have their rights, too, so we decided the best way was to just cool the recording scene until we were ready with something that we wanted everyone to hear. I want people to hear us, what we’re doin’ now and try to appreciate what we’re at.”
July 15th, 1968
After Jimi and Mitch arrive in Palma, Majorca, Spain the group is scheduled to open the new Sergeant Pepper’s night club, which is the latest venture managed by Chas Chandler and Michael Jeffrey. Although their appearance is an unofficial Experience gig, they perform “Hey Joe,” “Burning of the Midnight Lamp,” “Purple Haze,” “The Wind Cries Mary,” and “Wild Thing.” Jimi and I swapped instruments, explains Noel Redding in his diary. At the end of “Wild Thing,” Jimi raised his guitar towards the dropped ceiling and it went straight through the flimsy material. So he left it swinging there and the crowd roared.”