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Jimi Hendrix Encyclopedia

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Recording

April 22nd, 1969

April 22, 1969

Record Plant, New York
Studio Recording

1) Mannish Boy

Jimi, Buddy Miles, and Billy Cox dedicate this evening to recording an uptempo remake of Muddy Waters’ classic “Mannish Boy”. The song was later issued as part of the popular album Jimi Hendrix :Blues.

This multi-exposed image of Jimi Hendrix recording at Record Plant Studios in New York, New York was taken on April 22, 1969.

Photo: Willis Hogan Jr. / © Authentic Hendrix, LLC

Recording

January 16th, 1970

In a session at the Record Plant, overseen by engineer Bob Hughes and second engineer Dave Ragno, Hendrix crafted a rough sketch of "Send My Love To Linda" which featured Miles on drums and Cox on bass. As the track progressed it extended into a lively extended jam. Additionally, twelve takes of "Paper Airplanes" (AKA "Power Of Soul") and five takes of "Burning Desire" were also put to tape.
Recording

February 16th, 1970

Juggy Sound, New York
Studio Recording

Record Plant, New York
Studio Recording

On this evening, Hendrix traveled to the Record Plant after mixing sessions at Juggy Sound had concluded. Upon his arrival, an informal jam session with Buddy Miles ensued. Two instrumental attempts at “Blue Suede Shoes” were put to tape. Later, Hendrix put forward an early version of what would become to “Hey Baby (New Rising Sun).” Singing live and supported only by drums and percussion, Hendrix wove gorgeous touches of Spanish flamenco styling within the arrangement. An impish stab at Eddie Cochran’s “Summertime Blues”—a favorite of the guitarist’s when he was a teenager in Seattle—was followed by a funky original work reminiscent of “Day Tripper.”

Soon thereafter Billy Cox and Mitch Mitchell arrived. Buddy Miles departed and work began on “Freedom”. This recording, issued on The Jimi Hendrix Experience box set, is dramatically different than the version now included as part of First Rays Of The New Rising Sun. Most notably, Jimi devised an inventive, extended introduction and, in contrast to his efforts the previous summer with Gypsys Sun & Rainbows, skillfully integrated the percussion effort of Juma Sultan.

Recording

March 23rd, 1970

Working alone, Jimi arrived at the Record Plant intent on realizing a more traditional Delta blues arrangement of “Midnight Lightning” than he had previously attempted. Singing and playing live as he sat on a chair, Jimi utilized a finger picking style he rarely incorporated on his recordings. The song’s slow beat was accented, in the tradition of such blues men as Lightnin’ Hopkins and John Lee Hooker, by the steady tapping of his foot on the floor.

One of his favorite blues themes, Jimi would later make several attempts to complete a group version with Cox and Mitchell that summer at Electric Lady. Sadly, his untimely death in September 1970 came before “Midnight Lightning” and many other scintillating works in progress could be completed.