Jimi Hendrix Encyclopedia
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Popular Tags1967 Greater London Studio Recordings Olympic Studios United Kingdom February 1970 January 28 Johnny Winte Winter Festival For Peace Peter Yarrow Sid Bernstein Vietnam Moratorium Harry Belafonte Blood Sweat & Tears Dave Brubeck Richie Havens Mother Earth
February 07th, 1967
Tape Log: Purple Haze
April 25th, 1967
Tape Log: Foxey Lady // Manic Depression // May This Be Love // Fire // Remember // Third Stone From The Sun // Love Or Confusion
January 21st, 1970
Juggy Sound, New York
As had been the case since mixing sessions began on January 14, Hendrix and Kramer huddled at Juggy Sound to continue their work on Band Of Gypsys.
Record Plant, New York
Message To Love
Following his work at Juggy, Hendrix joined Cox, and Miles at the Record Plant for an extended session that began with fourteen takes of “Power Of Soul” (still referred under the working title of “Crash Landing”) put to tape, and although takes 2, 4, and 6 were complete, no master track was flagged. Recorded three weeks after the group’s legendary Fillmore East concerts, the Band Of Gypsys meticulously crafted this prototypical illustration of sophisticated funk.
Hendrix would revisit the track on February 3, 1970, overdubbing guitar parts and creating a rough mix. At that stage, work on “Power Of Soul” drew to a close. Hendrix instead chose to feature a live version of the song as part of Band Of Gypsys, issued in March 1970.
The January/February 1970 studio recording of “Power Of Soul” was shelved until the marathon mixing sessions Hendrix staged at Electric Lady Studios in August 1970. As Jimi reviewed the many contenders for his projected double album First Rays Of The New Rising Sun, “Power Of Soul” was treated to a new rough mix, resulting in the unique delay effect heard during the song’s opening.
Because “Power Of Soul” had been featured on Band Of Gypsys, Jimi had not reserved a position for the song on First Rays Of The New Rising Sun. Although considered for The Cry Of Love, the first posthumous album of Jimi’s unissued studio material, “Power Of Soul” remained unavailable until a truncated version was overhauled and included as part of the controversial 1975 compilation Crash Landing. The original master was edited and remixed to accommodate overdubs recorded in 1974 by session percussionist Jimmy Maeulen. Lasting only 3:15 and retitled “With The Power”, the elaborate introduction and its two soaring lead guitar solos were scrapped.
The version featured on the 1997 compilation South Saturn Delta discards the posthumous additions, restoring the full-length version with all of its regal glory intact.
Jimi then presented the evening’s most pleasant surprise, seven takes of “Astro Man”. “This is gonna be fun!” laughed Jimi before launching into a enthusiastic rendition of “Astro Man”, his comic cartoon fable. The song’s inspiration was simple, drawing its roots from Jimi’s love for animated cartoons. “That’s what ‘Astro Man’ was all about,” laughs Cox. “We used to love watching cartoons at his apartment. He enjoyed Mighty Mouse and especially loved Rocky and Bullwinkle.” Take seven would later be featured as part of The Jimi Hendrix Experience box set.
Jimi closed the evening with a single, unsuccessful attempt at realizing a basic track for the promising “Valleys Of Neptune.”
In other news outside the recording studio, the January 21 issue of Variety magazine announced the upcoming Isle Of Wight Festival of Music, a five-day musical extravaganza slated for August on the small island located off the south coast of England. Of the event, Variety explains, “The first two days will be a film fest. It is hoped to premier a couple of films of the Easy Rider genre [Murray Lerner’s acclaimed Festival!, a documentary about the Newport Folk Festival, was one of the films scheduled]. The remainder will be a conventional progressive pop bash with about 30 acts taking part. Policy is to not book more than two big names as crowd pullers as they tend to overshadow other acts. No bookings have yet been made.”
January 28th, 1970
Billed as the "Winter Festival For Peace," Peter Yarrow (Peter, Paul & Mary) and Sid Bernstein, event producers, announced that their services would be donated and that all proceeds of the event will go to the Vietnam Moratorium effort. The five-hour festival slated from 8 p.m. to 1 a.m. will feature Harry Belafonte; Blood, Sweat & Tears; Dave Brubeck; Richie Havens; Mother Earth; Peter, Paul & Mary; The Rascals; The Cast of Hair; Judy Collins, and Jimi Hendrix & his Band Of Gypsys.
Suffering from exhaustion and the effects of a drink laced with an unknown substance taken before the show, Hendrix failed to execute his musical plans this evening. Having completed just two songs, "Who Knows" and "Earth Blues" the only thing Hendrix could do at that point was drop his guitar and sit down on the stage, meanwhile Miles and Cox continue to roll through the back beats. As Alfred Aronowitz later recalled in his New York Post column, "The crowd has already gotten twice its money's worth when Jimi Hendrix stopped playing in the middle of his second number, said 'That's what happens when Earth ***** with Space, never forget that, that's what happens.'" ... "Jimi got up, put his guitar down and walked offstage."
"When he came off stage," explained Alan Douglas "he actually fell off the apron. At first I thought he was hurt, but he wasn't. I then ran backstage to the dressing room to see if in fact he was okay. There he was sitting playing the guitar and smiling. I don't know what went through his mind when he was on stage, but the first thing I noticed, it looked like he was having a big rhythm problem. I think he just got fed up."
Backstage, Jimi meets Johnny Winter. In recounting the meeting Winter explains, "I saw Jimi backstage at the Madison Square Garden concert, the one where he just couldn't play. When I saw him, it have me chills. It was the most horrible thing I'd ever seen. He came in with this entourage of people, and it was like he was already dead. He just walked in - and even though Jimi and I weren't the greatest of friends, we always talked, always - and he came in with his head down, sat on the couch alone, and put his head in his hands. He didn't say a word to anybody, and no one spoke to him. He didn't move until it was time for the show. He really wanted to do that gig, but he never should have. It wasn't that it was bad, but his whole thing was inspiration, and there wasn't any. It was just completely uninspired; finally, right in the middle of a song, he just took his guitar off, sat on the stage - the band was still playing - and told the audience, "I'm sorry, we just can't get it together." One of his people said he was sick, and lead him off stage. He was just so unhappy that there was no way that he could play the show. It didn't have anything to do with the group - he had already died!"