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At New York’s Drake Hotel (East 56th Street), Hendrix records 36-minutes of demos in his room, including: “Long Hot Summer Night,” “1983…(A Merman I Should Turn To Be),” “Moon Turn The Tides … Gently, Gently Away,” “Angel,” “Cherokee Mist,” “Hear My Train A Comin’,” “Voodoo Chile,” and “Gypsy Eyes.” Eleven minutes of recordings including “Angel,” “1983…(A Merman I Should Turn To Be),” and “Moon Turn The Tides … Gently, Gently Away” are broadcast on the Bob Harris Show on BBC Radio 1 on November 13, 1992.
The Experience record “Long Hot Summer Night” at The Record Plant (321 West 44th Street) in New York. Al Kooper later overdubs piano on the track. It was during this session that Hendrix gave Kooper his Stratocaster, (See Issue #5, page 6, ‘None Take Hendrix Strat’ for details on recent Auction featuring this guitar).
For three days, the band rehearses and records “Little Miss Strange” at The Record Plant. The track is first recorded under the title, “Lilacs For Captain Curry’s Coffin” (or “Little Miss Strange Test Session”). On the second day of recordings, the song takes it’s final naming incarnation, “Little Miss Strange.”
In addition to the final recordings for Redding’s “Little Miss Strange,” five recordings of “1983… (A Merman I Should Turn To Be)” were laid to tape. Overdubs a rough mixes were also developed for “Three Little Bears” and “Gypsy Eyes.”
Redding’s four-hour sessions at The Record Plant resulted in the addition of additional acoustic guitars to “Little Miss Strange.”
Back at The Record Plant, this emotionally trying session for the group resulted in several takes of “Gypsy Eyes” for which little progress was seen.
Hendrix and Mitchell record 41 takes of “Gypsys Eyes” at The Record Plant. Later that night Redding prepares a rough mix of “Little Miss Strange” and also additional rhythm parts onto the April 20th master tape of “Little Miss Strange.”