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Juggy Sound, New York Studio Recording Mixing sessions for Band Of Gypsys resumed. Before the evening session began, Hendrix engaged in a jam session with the Rosicrucians, a Queens-based group whose album Eddie Kramer had been producing at the studio. Two separate recordings were made before Hendrix concluded the jam.
Record Plant, New York Studio Recording Hendrix completed overdubs onto his January 21 Record Plant recording of “Power Of Soul”. A new mix was also prepared.
Rough mixes of the January 21 cuts of “Power Of Soul” was prepared.
Juggy Sound, New York Studio Recording In the early morning hours of February 5, Jimi returned to Juggy Sound as mixing sessions for Band Of Gypsys continued. By this stage, final mixes for “Who Knows” and “Machine Gun” had been crafted and set aside. Hendrix had completed the album’s first side and now focused his energies on completing side two. Among the songs mixed by Hendrix and Kramer but not selected for the album were “Stone Free” [1/1/70 2nd Show] and “Hear My Train A Comin’” [12/31/69 1st Show]
Record Plant, Los Angeles Studio Recording Although Jimi was not present at the Record Plant’s Los Angeles studio, engineers Stan Agol and Dan Turbeville mixed a four-track recording of “Star Spangled Banner” for the upcoming Woodstock movie soundtrack.
Although Jimi was not present at the Record Plant’s Los Angeles studio, engineers Stan Agol and Dan Turbeville mixed a four-track recording of “Star Spangled Banner” for the upcoming Woodstock soundtrack (Cotillion, SD 3500) was completed
Record Plant, New York Studio Recording A mixing session dedicated to the Band Of Gypsys studio recording of “Izabella.”
During a mixing session for Band Of Gypsys at the Record Plant, Dave Ragno and Bob Hughes joined Hendrix for the completion of a rough mix of “Izabella.”
Record Plant, New York Studio Recording Work continued on the mixing of “Izabella” before Hendrix and engineer Bob Hughes crafted what was deemed the master. This mix, coupled with “Stepping Stone”, would later be issued by Reprise as a single in April 1970. The track can now be heard as part of the Voodoo Child: The Jimi Hendrix compilation. With “Izabella” deemed complete, Hendrix began work on mixes of “Sky Blues Today” [“Stepping Stone”].
Back at the Record Plant, additional rough mixes of “Izabella” plus “Sky Blues Today” were completed. The mix of “Izabella” was considered the master.
Juggy Sound, New York Studio Recording The mixing and editing of “Changes”, “Power Of Soul”, “Message To Love”, and “We Gotta Live Together” was the focus of this session by Hendrix and Kramer. One such edit was the removal of a short section of Hendrix’s guitar An early section of “Power Of Soul”, marred by a short burst of Hendrix’s out of tune guitar, was trimmed from the master.
Juggy Sound, New York Studio Recording Hendrix and Eddie Kramer continued final editing and mixing of the Band Of Gypsys album at Juggy Sound. Record Plant, New York Studio Recording Following his session at Juggy, Hendrix went to the Record Plant where a master mix for “Sky Blues Today” was achieved during this Record Plant. This master, later retitled “Stepping Stone” by the guitarist, was coupled with February 12 master of “Izabella” and would be released on April 13, 1970 as a Reprise Records single.
A master mix for “Sky Blues Today” was achieved during the session at the Records Plant. This master, coupled with “Izabella” from the session on the 12th would later be released (April 13, 1970) on the short-run single “Stepping Stone” b/w “Izabella” (Reprise Records, 0905)
Juggy Sound, New York Studio Recording Record Plant, New York Studio Recording On this evening, Hendrix traveled to the Record Plant after mixing sessions at Juggy Sound had concluded. Upon his arrival, an informal jam session with Buddy Miles ensued. Two instrumental attempts at “Blue Suede Shoes” were put to tape. Later, Hendrix put forward an early version of what would become to “Hey Baby (New Rising Sun).” Singing live and supported only by drums and percussion, Hendrix wove gorgeous touches of Spanish flamenco styling within the arrangement. An impish stab at Eddie Cochran’s “Summertime Blues”—a favorite of the guitarist’s when he was a teenager in Seattle—was followed by a funky original work reminiscent of “Day Tripper.” Soon thereafter Billy Cox and Mitch Mitchell arrived. Buddy Miles departed and work began on “Freedom”. This recording, issued on The Jimi Hendrix Experience box set, is dramatically different than the version now included as part of First Rays Of The New Rising Sun. Most notably, Jimi devised an inventive, extended introduction and, in contrast to his efforts the previous summer with Gypsys Sun & Rainbows, skillfully integrated the percussion effort of Juma Sultan.
Juggy Sound, New York Studio Recording Hendrix and Eddie Kramer completed the final editing, mixing, and sequencing for the Band Of Gypsys album.
Sterling Sound, New York Studio Recording Hendrix and Kramer team with mastering engineer Bob Ludwig to supervise the final mastering for Band Of Gypsys. In light of his disappointment with the mastering of Electric Ladyland by Reprise Records, Hendrix opts to work independently to insure that the final sound quality meets his satisfaction.
Sterling Sound, New York Studio Recording After reviewing test pressings of the mastering efforts of the previous day, some minor sonic adjustments are completed.