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The Experience complete rough mixes for “Three Little Bears,” “Voodoo Chile,” and “Long Hot Summer Night” during sessions at the Record Plant. Jimi also returned to the April 22 recordings of “1983 (A Merman I Should Turn To Be)” by adding a series of new recordings that were later added as edit sections to create a single, unified master. With Hendrix taking the music in his own direction, Chas Chandler stepped down as the producer for the Electric Ladyland project. “Both I and the group were exhausted,” explained Chandler in an interview with John McDermott for the book Jimi Hendrix Sessions. “I had spent three years with the Animals, and the next day I was working with Hendrix. I had put in as much time on the job as Hendrix, Mitchell, and Redding – plus my time with the Animals. The last thing I wanted to be doing was fighting with Jimi in the studio and then (Michael) Jeffrey in the office. I just walked away.” In a separate session, also at the Record Plant, Noel Redding worked recorded “How Can I Live” with engineer Gary Kellgren.
At the Record Plant, Eddie Kramer experiments with the crossfades that will link the first three songs, “Have You Ever Been (To Electric Ladyland),” “Crosstown Traffic,” and “Voodoo Chile” together for the Electric Ladyland album.