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February 2, 1968 Noel Redding completes an interview for the In Sound radio program. The program is hosted by Harry Harrison. The band remains in San Francisco but moves from the Fillmore East to perform two shows at the Winterland Ballroom.
Noel Redding completes an interview for the In Sound radio program. The program is hosted by Harry Harrison. The band remains in San Francisco but moves from the Fillmore East to perform two shows at the Winterland Ballroom.
The Experience perform two shows at the Fillmore East in New York City, with support from Sly & the Family Stone and the Joshua Light Show. One of the sets, lasting 50 minutes includes performances of “Lover Man,” “Fire,” “Foxey Lady,” “Red House,” “Hey Joe,” “Sunshine Of Your Love,” “Hear My Train A Comin’,” Can You Please Crawl Out Your Window,” “Purple Haze,” and “Wild Thing.”
Hendrix jams with the Electric Flag at the Fillmore East in New York.
On this day, Hendrix signed a contract for $12,500 to perform at the Fillmore East in New York. Most importantly, the Fillmore East would serve as the venue for the recording of a live album by the guitarist. In recent weeks, Hendrix had determined that the most expedient way to resolve his obligation to Capitol Records per the 1968 PPX legal settlement would be to deliver a live album to the label. “The Fillmore gigs were put together very last minute,” recalls Hendrix road manager Gerry Stickells. “The Fillmore East and West were trend spots and Bill Graham was the trend guy. It would be like a major act doing a live album in a club now, compared to a stadium. “
Fillmore East, New York Two Shows Prior to their two concerts later that evening, Hendrix and his Band Of Gypsys held an afternoon sound check and rehearsal at the Fillmore East. Later that evening, before a sold out crowd of 2,639, Hendrix rang in the New Year and new decade with two unforgettable performances. The evening’s festivities opened with a spirited set by the Voices Of East Harlem, an enthusiastic young gospel ensemble. With the anticipation of the sold out Fillmore audience heightened to fever pitch, Hendrix led his trio through a scintillating, seventy-five minute opening performance. None of the eleven songs presented had yet to grace an Experience album. In the place of signature songs like “Purple Haze” and “All Along The Watchtower” were confident renditions of “Izabella” and “Hear My Train A Comin’”. At midnight, Kip Cohen, the venue’s master of ceremonies, rang in the new year and decade buffeted by Guy Lombardo’s “Auld Lang Syne”. Never one to be upstaged, Jimi and company greeted the joyous house with their own inspired reading of the holiday staple. For Amalie Rothschild, the Fillmore East’s house photographer, the experience was an unforgettable one. “Then there was the countdown at midnight. It was the countdown that was a real scream. We’re talking about the end of the Sixties. December 31, 1969 turning into January 1, 1970–.A new decade. This was significant. After all, we were living through it and we knew that the Sixties were the Sixties. We had this big countdown on the [Joshua White] light show screen with this big clock 10, 9, 8, 7, 6…and everybody is yelling together. Then the light show screen pulls up and everybody is on stage–all the crew and the musicians. Hendrix, who is now on stage, launches into this amazing rendition of ‘Auld Lang Syne’ and I filmed it [excerpts of Rothschild’s color film footage can be seen in the VHS/DVD Band Of Gypsys]. This was history in the making. You could not miss this. His performance was just so inspired. It was just terrific and I can’t find the words to describe it.” The recordings which make up both Band Of Gypsys and its two disc sequel Live At The Fillmore East certainly bear out Rothschild’s remembrances. Jimi’s celebrated work with the Band Of Gypsys stands among his most impressive and lasting achievements. After the show, Ian Dove of Record Mirror interviewed Jimi Hendrix for the January 10, 1970 edition of the British paper. Later that night, Hendrix retreated to The Café Caliph (previously known as The Café Au Go Go) in Greenwich Village where he joined The James Cotton Blues Band on stage for a jam.
Fillmore East, New York Two Shows Dawn had arisen over Manhattan by the time the group finally left the venue in the early morning hours of January 1. Incredibly, they returned later on this evening to perform two additional concerts. With the hoopla of the New Year’s Eve festivities behind him, Hendrix centered his attention on realizing a live album from the remaining two performances. Desperate to absolve himself of the bitter legalities, which had hounded him since his return to the United States in June 1967, Hendrix rallied and gave two of the finest performances of his storied career. As the Fillmore audience roared with approval, the Band Of Gypsys left the stage confident that they had validated Jimi’s new music before his loyal followers. “We felt the concerts went well,” remembers Billy Cox. “We felt good doing them and Jimi did all of his powerful techniques he could think of. Then one show he just stayed there and got into it so heavy it was incredible. There were people in the audience with their mouths open.” “His playing is so loud, so fluid and so rife with electronic distortions that it resembles that of no other currently popular performer,” reported Mike Jahn for The New York Times (January 2, 1970). Lead guitarist Jimi Hendrix was once again joined on stage by bassist, Billy Cox and drummer, Buddy Miles for their new collaboration of roaming and experimental sounds. Secure in his standing, Hendrix was comfortable with the Fillmore crowd. During the fourth and final Fillmore concert, the guitarist made light of the group’s limited repertoire immediately prior to the start of “Voodoo Child (Slight Return)”. On another occasion earlier that evening, he even offered his congratulations to the victorious USC Trojans, winners of the Rose Bowl that afternoon. “Jimi enjoyed doing those shows,” explains Billy Cox. “He was enjoying himself because he had complete freedom and freedom is a joyous thing when you’ve got it. We didn’t have any worries about what we could or couldn’t do. These were our first shows. We were pretty rebellious at that age. I guess that’s why we played the music so loud. He didn’t have any restrictions and that is a lot of freedom. You can hear that on every song we played. After the shows were finished, Jimi was quite relieved. He had fulfilled his obligation and was getting this whole [situation] off his back.”
Having just successfully completed two sold out performances at the Fillmore East, the previous night, the Band of Gypsys New Year’s Day performances were solidifying them as one of the most recognizable sounds in modern music. Just as with the two shows the preceding night Wally Heider and Eddie Kramer also recorded this performance. The results of which have been released as Band Of Gypsys (Experience Hendrix/Capitol Records, 93446-2) and Hendrix: Live At The Fillmore East (Experience Hendrix/MCA, MCAD2-1111931).
As the Band Of Gypsys hit the stage the crowd explodes into applause as the three neighborly musicians break into a barrage of musical attacks, bouncing melodic beats of musical affection off each other. The mesmerizing opening statements of the newly formed Band of Gypsys implanted a new brand of funky rock-inspired blues in the audience’s head.
“His playing is so loud, so fluid and so rife with electronic distortions that it resembles that of no other currently popular performer,” reported Mike Jahn for The New York Times (January 2, 1970). Lead guitarist Jimi Hendrix was once again joined on stage by bassist, Billy Cox and drummer, Buddy Miles for their new collaboration of roaming and experimental sounds.
The Band Of Gypsys first set featured performances of “Who Knows,” “Machine Gun,” “Changes,” “Power Of Soul,” “Stepping Stone,” “Foxey Lady,” “Stop,” “Hear My Train A Comin’,” “Earth Blues,” and “Burning Desire.”
As Rolling Stones’ Loraine Alterman reported, “at the first show on New Year’s Day, the audience really let loose with cheers only on the old “Foxey Lady.” In all fairness, however, his second show reportedly went over much better especially when he and Miles sand a pleas for unity about how we’ve all got to live together, a song did together in a jam at the Newport ’69 festival in Los Angeles.
“In the end, though, Hendrix is a musician, not a contortionist or juggler. If the fans can forget the visual show and if Hendrix can come up with a new approach to material for a Band Of Gypsys, he’ll remain a heavy on the scene.”
After a brief intermission the Band Of Gypsys returned for a second set highlighted with “Stone Free,” “Little Drummer Boy,” “Power Of Soul,” “Changes,” “Message To Love,” “Earth Blues,” “Machine Gun,” “Voodoo Child (Slight Return),” “We Gotta Live Together,” “Wild Thing,” “Hey Joe,” and “Purple Haze.”
Alfred Aronowitz of The New York Post interviews Hendrix for a piece in the January 2, 1970 edition. Inside Aronowitz explains Hendrix’s musical change saying, “Jimi had chosen the New Year, and as he put it, the new decade to unveil his new trio… What’s the reason for the change? ‘Earth, man, earth,’ Jimi said. With his old group, The Jimi Hendrix Experience, the music has been too far out in space. ‘Now I want to bring it down to earth,’ Jimi said. ‘I want to get back to the blues, because that’s what I am.’ The new group has a new repertoire, but during his first set last night, Jimi was still waving his freak flag.
“There had been plans for Jimi to go back on tour with The Experience accompanied once again by Mitch Mitchell on drums and Noel Redding on bass, but after the show Jimi had changed his mind. ‘With Mitch, maybe, but not with Noel, for sure.’ He said. ‘That’s another thing. This is more of a real thing. We’re trying to get it on its feet. We’re waiting for Stevie Winwood. If I can get ahold of him and he agrees to it, that’ll be another voice. We’ll have harmony for days.’ The name of Jimi’s new group, incidentally, is A Band Of Gypsys. ‘That’s what we are,’ said Buddy. ‘That’s what all musicians are, Gypsies.'”
1970 Alfred Aronowitz Band of Gypsys Changes Earth Blues eddie kramer Fillmore East hey joe jan January 1 Little Drummer Boy Live Machine Gun Message To Love new years day performance Power Of Soul Purple Haze Stone Free The New York Post Voodoo Child (Slight Return) Wally Heider We Gotta Live Together Wild Thing
Alfred Aronowitz of The New York Post had interviewed Hendrix at the Fillmore East the previous day and his article was published in the January 2, 1970 edition. “Jimi had chosen the New Year, and as he put it, the new decade to unveil his new trio… What’s the reason for the change? ‘Earth, man, earth,’ Jimi said. With his old group, The Jimi Hendrix Experience, the music has been too far out in space. ‘Now I want to bring it down to earth,’ Jimi said. ‘I want to get back to the blues, because that’s what I am.’ The new group has a new repertoire, but during his first set last night, Jimi was still waving his freak flag.” “There had been plans for Jimi to go back on tour with The Experience accompanied once again by Mitch Mitchell on drums and Noel Redding on bass, but after the show Jimi had changed his mind. ‘With Mitch, maybe, but not with Noel, for sure.’ He said. ‘That’s another thing. This is more of a real thing. We’re trying to get it on its feet. We’re waiting for Stevie Winwood. If I can get a hold of him and he agrees to it, that’ll be another voice. We’ll have harmony for days.’ The name of Jimi’s new group, incidentally, is A Band Of Gypsys. ‘That’s what we are,’ said Buddy. ‘That’s what all musicians are, Gypsies.’
Juggy Sound, New York Studio Recording Jimi and engineer Eddie Kramer begin sifting through the multi-track recordings made of the Band Of Gypsys live performances at the Fillmore East.
Juggy Sound, New York Studio Recording Record Plant, New York Studio Recording Send My Love To Linda Power Of Soul Burning Desire Jimi began the evening with Eddie Kramer at Juggy Sound. The two continued in their effort to craft a live album from the four Fillmore East performances. In the early morning hours following the mixing session, Hendrix traveled to the Record Plant to join forces with Cox and Miles for a series of promising demo recordings. Jimi efforts yielded a rough sketch of “Send My Love To Linda” which progressed into a lively, extended jam. Additionally, twelve takes of “Paper Airplanes” (which would evolve as “Power Of Soul”) and five takes of “Burning Desire” were also put to tape.
Capitol Records released the eagerly anticipated live album, Band Of Gypsys. The album featured six tracks from the two Fillmore East performances on January 1, 1970. “Who Knows” and “Machine Gun,” were recorded during the evening’s first while all of the album’s second side was drawn from the second show. Despite the dramatic shift in sound and style—especially when compared with Electric Ladyland–Band Of Gypsys nonetheless enjoyed wide commercial approval. The album debuted on Billboard’s US Top 200 chart at 18 and climbed to its peak at 5. The album remained on the chart for sixty-one weeks. At the time of Jimi’s death, Band Of Gypsys was Hendrix’s most commercially successful album since Are You Experienced, his 1967 debut.