Did you see Jimi Hendrix in concert? Did you meet Jimi Hendrix or have the opportunity to interview him or have some other unique, first-person encounter with Jimi Hendrix? If so, Experience Hendrix wants to hear from you.
SIGN UP FOR THE
Back at Electric Lady Jimi records the master takes of “Night Bird Flying” and “Straight Ahead.” Joined by percussionist Juma Sultan these sessions proved to be among his most productive in the post-Electric Ladyland days. He follows these recordings with takes of “Beginnings,” “Freedom,” and a loose recording simply titled “Messing Around.”
Returning once again to Electric Lady, Hendrix enthusiastically kicked off the session right where the prior night’s left off. In visiting “Straight Ahead” Hendrix, Billy Cox, and Mitch Mitchell concentrated on forming a new master take of the song. The trio then moves to recordings for “Astro Man.” Feeling playful, Jimi brings the session to a quick halt before yelling for tape machine to start recording. Assured that the tapes are rolling Jimi breaks into a high octave vocal take of “Drifter’s Escape.”
Hendrix returned to Electric Lady where he revisited a number of previously recorded compositions for overdubbing. Work on this night included visits to “Message To Love,” “Earth Blues,“ “Steeping Stone,” Valleys Of Neptune,” and a rough demo of “Heaven Has No Sorrow.”
Another day of recordings at Electric Lady resulted in considerable progress on “Ezy Rider.”
Additional sessions at Electric Lady saw Hendrix revitalize previous work on “Come Down Hard On Me.” In 1973 Electric Lady’s engineer John Jansen posthumously edited the track for inclusion on Loose Ends.
Trying to lay claim to a definitive master of “Lover Man,” Hendrix returned to Electric Lady to try and revitalize the recordings, unfortunately, with little success on this evening. Although a rough mix would be prepared, it too would be quickly shelved. With “Lover Man” now on the shelf, Hendrix turned his attention back to overdubs for “Angel.”
Tonight’s session at Electric Lady maintained focus on “In From The Storm,” a recording that Jimi had previously titled “Tune X – Just Came In.” Although no master was created on this night, thirty takes of the song were put to tape as the trio continually reworked it and polished the composition through each subsequent retake.
With more overdubs required on “Dolly Dagger”, Jimi returned to Electric Lady with Eddie Kramer and Dave Palmer where additional parts for the track were put to tape.
Returning to Electric Lady, Jimi continues to work on rough mixes for “Night Bird Flying,” “Straight Ahead,” “Drifter’s Escape,” “Ezy Rider,” “Come Down Hard On Me,” “Beginnings,” “Cherokee Mist,” “In From The Storm,” “Valleys Of Neptune,” “Astro Man,” and “Belly Button Window” overdubs.