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Hendrix and attorney Henry Steingarten conduct a telephone conversation surrounding the issues of November 10th. A follow-up letter is sent to Hendrix on December 24 that further outlines the decisions made during the conversation. Record Plant, New York Studio Recording Honey Bed Technical problems hindered Hendrix’s progress on this night. This session was dedicated to “Honey Bed,” an intriguing demo that seemed to draw upon elements of “Bleeding Heart” and “Come Down Hard On Me.” As take three wound down, Hendrix guided Cox and Miles through an early rendition of “Night Bird Flying.” Just past the two-minute mark, a terrifying noise caused Jimi to shout, ‘Hey guys, what’s that noise?’ The squelch grew louder before the recording cut out and the session came to a halt. No other recording was attempted.
In returning to Electric Lady Studios Jimi records “Come Down Hard On Me,” “Bolero,” and “Midnight Lightning.” Despite the work accomplished on this night, Hendrix had the tape boxes marked DO NOT USE.
Additional sessions at Electric Lady saw Hendrix revitalize previous work on “Come Down Hard On Me.” In 1973 Electric Lady’s engineer John Jansen posthumously edited the track for inclusion on Loose Ends.
Back at Electric Lady Studios Hendrix revisited “In From The Storm” before working on “Come Down Hard On Me” and “Just Came In,” with the latter being remixed into “In From The Storm” on the posthumous Cry Of Love.
Returning to Electric Lady, Jimi continues to work on rough mixes for “Night Bird Flying,” “Straight Ahead,” “Drifter’s Escape,” “Ezy Rider,” “Come Down Hard On Me,” “Beginnings,” “Cherokee Mist,” “In From The Storm,” “Valleys Of Neptune,” “Astro Man,” and “Belly Button Window” overdubs.